How to frame your print

One of the most common questions that I get asked by my customers, once they have purchased one of my limited edition prints, is how to frame it. Of course, which style and colour frame you go for is entirely up to you and your interior style (although, I am happy to help there too). When it comes to mounting and framing your print, however, there are certain ‘dos and don'ts’ that you can adhere to, in order to ensure that your print is properly taken care of.

MOUNTING YOUR PRINT

A window mount is an aperture cut into a thick card board, from which your artwork can be viewed (pictured). Window mounts are commonly used when framing prints or paintings on card, as they not only help to level an image and give it a more ‘finished’ look, but they also help to protect the print.

By providing a spacer between the artwork and the glass of the frame, the mount protects the print or painting from moisture and sticking.

Don't want to mount your artwork? No worries! Not all artwork needs to be mounted. It is important, however, that if you decide not to mount your artwork, that you use a spacer between the glass of the frame and the print/painting, to protect it.

FLOAT MOUNTS

Float mounts are another popular method of framing prints, particularly for those where the print runs to the edge of the card, or for prints with with artistic/deckled edges. Float mounts raise the artwork in order to give it the appearance of floating in midair, as well as separating it from the glass in the frame.

GLASS VS ACRYLIC

Another Common question that I get asked is whether or not to go for a glass or an acrylic glazing within the frame.

Acrylic glazing is a lightweight and durable alternative to glass. Framers will commonly frame using acrylic glazing if they are going to ship the framed print, as glass is more prone to being smashed or cracked during shipment; even when well-protected, accidents do happen. Furthermore, some couriers will not ship packages containing glass for this reason.

Although much safer to use, acrylic glazing naturally does not look quite as appealing once it is hung on the wall. It is prone to static, scratching, as well as sensitivity to heat and humidity, which can make it bow and bend.

Unlike acrylic glazing, glass, although heavier and more fragile, tends to be more appealing for buyers of fine art prints. Once safely hung, it has a more expensive feel and look. It’s important to remember that glass frames do tend to have more reflection and slightly less protection for the print however.

WHERE TO FRAME YOUR ARTWORK

I always recommend that my customers get their prints framed professionally by a local framer. A framer will be able to advise on the best style and method of framing once they have seen the print in person. They can also ensure that the highest quality materials are used in order to protect your print. To ensure that the print is not scratched, damaged or bent before it is framed, you should try not to take it out of the packaging before it is framed (although it is tempting to have a peak). Natural oils on your fingers will also smudge the pigments on the prints, so protective gloves should be worn when handling your print.

For more information on taking care of your print, click here.


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